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青草影视

我有时候也想成为A片主人公
韩国韩语2015
  根据1999年畅销小说《我有时候也想成为A片主人公》改编的同名电影即将登上大银幕。原著以女主人公性经验的告白为内容,在当时引起了极大的社会反响,销量高达140万册以上。影片讲述的是女主人公因为私生活曝光而被世间目光所职责,还被出演的电视剧剧组辞退。  虽然一直有电影人希 望改变这部小说,但是因为原作者一直没有同意而迟迟未能有所进展。最近该片制作公司表示会打造成一部和现有韩国爱情片完全不同的影片,原作者才在16年之后同意小说板上大银幕。影片的出发点正是“为什么韩国成人爱情片都要聚焦男女性行为呢?”而影片也会通过故事对此做出回答。  电影将融和小说中多个小故事,聚焦女主人公的爱情。她遇到了一个可以帮助她克服伤痛和孤独的男子,并且在互相了解的过程中慢慢改变了以往的价值观和固定观念,认识到爱情并不是占有,而是互相关怀才能得到幸福。  曾凭借2008年电影《初恋》出道的导演张成洙,此次是第二部长片作品,他也亲手执笔剧本,小说作者看过剧本之后也表示对于女主角的心理描写非常细致,非常期待影片诞生。  凭借《虎尾兰之梦》获得青龙电影奖最佳新人女演员奖的朴芝秀将饰演女主角,韩智恩、崔里浩等新人演员一同加盟。该片已于5月4日开机,预计今年内上映。

青草影视

难以置信的事实
美国英语1989
  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

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