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青草影视

不羁的心
中国香港1993
《不羁的心》讲述的是一个好色的男人背着妻子到处拈花惹草,最后被揭穿并被四个女人折磨的故事。 一个好色的男人背着妻子到处拈花惹草,最后被揭穿并被四个女人折磨...... 演员介绍此片充满喜剧特色值得收藏.沈冠君除了此片外,作品就只有一部也不是很有名的《赤色梦魇》了,而另几位就更是只有这一部作品,可见想靠三及作品一脱成名也不是一件容易的事情! 本片的四位女主角虽然没有因为拍三及而有所成就,可男主演刘的之确实从此星途坦荡,刘的之原来是香港的一个模特儿, 在《傲气雄鹰》中担任角色时因为健美的身材而被邀请拍三及片,在拍此片之前就曾拍过林义雄的<男盗女娼>、〈斗室〉等片,在这部搞笑的《不羁的心》中,他扮演花心的公司职员虽饱受淫荡女上司的骚扰,但却每晚执着寻找一夜情的幽默故事。其中一个片段拍得相当出彩,就是刘的之与情人在一个小巷里作爱的场景,巷子里灯光昏暗,有顶侧光打下,摄象机采用逆光拍摄,很好的勾勒出俩人的美妙线条和皮肤的光泽。高潮出现在那位女士双腿盘在站立的刘的之的腰部时,此女士双手用力抓着墙上的水管,由于太兴奋抓断了水管,使两股水射到了俩人的身上。顿时激起了千万个水珠,随着俩人身体的起伏和高亢的呻吟声,整个画面充满了激情的动感。因为在《赤裸羔羊》中的全裸演出而倍受关注,他拍的三及片佳作不少,可惜因为没有走红,象〈青楼十二房〉、<摩登龙争虎斗>、〈不文女学堂〉〈赤足惊魂〉〈灭门惨案之借种〉等,不过此人已经感染艾滋死了, 由于他曾与许多上流名媛有过性交易, 因为他的死,还在香港曾经引起不少的恐慌。

青草影视

难以置信的事实
美国英语1989
  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

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