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青草影视

不安分的年轻人们
法国法语1958
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

青草影视

南家三姐妹 欢迎回来
日本日语2009
  《南家三姐妹》第三季的消息两月前就已放出,官方也已公布了新的制作阵容。这部原作为樱场小春的漫画,接连制作了三季动画。《南家》第一季是由童梦制作,制作阵容就是我们经常说的“太田雅彦”组,这是公认的最好的一部。第二季即《南家三姐妹 再来一碗》则换作アスリード所属的“细田直人 ”组制作,这一季无论作画还是剧情的铺排都不及前作,因此现在普遍认为第一季靠的是实力,而第二季靠的是第一季的人气。现在的第三季虽然同样是由第二季的アスリード负责制作,不过制作阵容已经换成了“及川启”组。及川启之前曾在《DC.II S.S》和《蓝兰岛》等动画中担任分镜,也在《砂沙美 ☆魔法少女俱乐部》和《罗密欧与朱丽叶》中担任过演出,这次是他首次担任监督。系列构成则是换成了《食灵·零》动画版中负责系列构成的小鹿りえ,而《食灵·零》的动画版无疑是脚本与系列构成长于漫画版的代表,不知道《南家》第三季中会否给大家带来惊喜。但残念的是人设依旧由第二季的田中诚辉担当,而且从官网公布的设定图来看,三姐妹都御了不少。总体来说,这样的阵容真是有那么点抱歉,当然是欢喜是哀嚎到时就看各位自己的意志了……  【内容介绍】  美丽贤慧的长女春香、专门耍宝的笨蛋次女夏奈、毒舌小学生三女千秋,这是一部描写她们三姐妹的日常生活、以及身边的人们遭遇的轻松小品式故事。三姐妹组成的南家,有着这样的规定:星期一的早上吃饭,晚上吃意大利面,星期六的早上吃面包,橘子是整箱整箱地买……在南家,经常聚集了很多朋友,变成防止犯罪的教室或者举行各种派对……

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