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青草影视

战斗之魂 少年激霸弹
日本日语2009
  日本知名的卡片对战游戏《Battle Spirits》自从去年9月7日推出同名电视动画版《Battle Spirits 少年突破马神》以来,受到了广泛的欢迎,并为原作游戏吸引到非常多的新玩家的加入。就在《少年突破马神》故事已经迈向最终高潮的同时,官方在7月16日举行盛大的记者招待会,公布了即将在今年9月紧接档期播出的最新系列动画版《Battle Spirits 少年激霸弹》相关情报。  根据记者会现场所公布的情报,TVA《Battle Spirits 少年激霸弹》故事描述剧中的主人公马神弹,某一天在“Battle Spirits 冠军赛”的会场上邂逅了谜一般的女性百濑华实,因缘际会被卷入由异界王所统治的世界里。在异世界中,马神弹将被迫以他拿手的“Battle Spirits”对战绝技在6个不同的领域中穿梭旅行,和每个异界王手下强敌一一过招。当然,他也将在旅途上接连认识许多伙伴,和他并肩而战。动画版核心制作群、主角声优阵容都在记者会上同时发表,而且这些男女主角们的造型设计图也一一揭晓如下。  除此之外,动画版的OP与ED主题曲及歌手情报也已经公布了出来,超人气热血歌唱团体JAM Project将担纲主唱OP曲《Battle No Limit!》,而曾在《少年突破马神》中献唱的及川光博,则转为负责ED曲《君がまってる》,TVA《Battle Spirits 少年激霸弹》将于9月13日正式首播。

青草影视

不安分的年轻人们
法国法语1958
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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