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青草影视

啦啦队之舞:女高中生用啦啦队舞蹈征服全美的真实故事
日本日语2017
  广濑铃日前确定将主演改编自福井县立商业高中啦啦队部在全美大赛获得优胜的真实故事的电影《Cheer☆Dance 女高中生用啦啦队舞蹈征服全美的真是故事》,为成功出演电影中的啦啦队员,广濑铃已接受了近半年的特训。  广濑铃新片改编自2009年发生在福井商业高中的真实故事,描绘一群女高中生从零开始,最终在全美啦啦队舞蹈大赛高中表演部门获得综合冠军的剧情基本上依照真实故事的轨迹进行,广濑铃饰演的主人公个性天真烂漫,希望为足球部自己暗恋的男生应援而加入了啦啦队部,此后接受了顾问女老师意外的严厉特训,最终成为啦啦队center,与队伍中的小伙伴一起获得冠军。为成功出演啦啦队员,广濑铃从去年12月开始便进行啦啦队特训,训练时间最长的一天有6小时都花在练习中,虽然没有跳舞经验,但广濑铃运动神经出众,在福井商业高中啦啦队教练前田千代的帮助下,很快找到了要领。被请来做执导的2009年获胜成员也对广濑铃的表现赞不绝口。在拍摄最后剧组预定前往美国拍摄外景,与真正全美最强的队伍对决,为了展现特训成果,广濑铃表示希望自己看起来能够像真正接受过啦啦队训练的成员一样,在全力比赛的同时也不会忘记啦啦队舞蹈本身是件开心的事。  《Cheer☆Dance》目前已经确定将在2017年正式上映与观众见面,导演由河合勇人担任,制作人平野隆表示,广濑铃的笑容和跃动感最为符合角色,希望看了她在片中的表演观众都能够得到鼓舞。

青草影视

心中的故乡
韩国韩语1949
  Synopsis  Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.  Notes  "A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."  A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.  Afterword:  - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

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