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青草影视

难以置信的事实
美国英语1989
  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

青草影视

婚姻密码
大陆国语2011
  这是一个我们既熟悉又陌生的故事,故事讲述了一个家庭中三个不同年龄段的男女对婚姻和情感生活的不同理解和遭遇……  植物研究所副研究员冯诗卉的嫁接实验失败了,工作的压力与琐碎忙碌的家务使她十分沮丧。而她的丈夫——某大学昆虫教研室教授齐越正为一科研项目与老同学、剑桥来的专家迟鸣较劲而加倍工作着,完全没顾及到诗卉的感受,两人为照看孩子及家务等问题争执起来,婚后的七年之痒不知不觉的降临了。  诗卉的妹妹冯雪晴考上研究生后仍旧和男友王奕恋爱,雪晴的母亲石良玉认为王奕也应考上研究生才和雪晴般配,百般干涉,但王奕的志愿是办公司自己创业,一对小活宝打打闹闹无奈分手。雪晴父亲冯韬只好顺着老伴。  诗卉当年不顾母亲反对与迟鸣分手和来自农村的齐越结了婚,但现在诗卉却越来越讨厌齐越的大男子作风和不卫生习惯,两人从抱怨到分居打起了冷战,迟鸣旧情复发,但诗卉却不悔当初。与此同时,苦恼中的齐越被出身于单亲家庭的博士后蒋馨月理解,两人逐渐产生情感。闻讯后诗卉失去的理智,和齐越闹到了接近离婚的边缘,但困惑中的齐越还是慢慢地悟出了孩子和家庭对自己的意义,在最后的关键时刻还是站在了妻子一边,而馨月最终也明白了齐越不过是自己追逐童年父爱的幻影而已。  冯韬年轻时曾有个恋人现得了绝症,石良玉得知后却义无返顾地要和老伴去照顾她度过余生,这让冯韬感动不已。几经磨难,创业成功的王奕重新获得了雪晴,有情人终成眷属。生活在继续,诗卉和齐越也开始小心经营起他们好不容易重新建立起来的婚姻和感情。  这个故事探讨了人们对幸福婚姻不同理解,即婚姻不仅需要关爱、相互的理解和宽容,更需要细心的呵护和经营,更重要的在出现问题时要学会真诚而又勇敢地去面对,冷静和智慧的去处理。

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