十七岁的美丽少女卡捷琳娜（薇拉·阿莲托娃 Vera Alentova 饰）假扮成教授的女儿，在一场宴会上邂逅了名为拉齐克夫（尤里·瓦西里耶夫 Yuri Vasilyev 饰）的摄影师，两人很快就双双坠入了情网之中。然而，当卡捷琳娜的真实身份曝光之后，拉齐克夫残忍的抛弃了她，完全不顾她此时腹中已经怀上的骨肉。 坚强的卡捷琳娜并没有因此而一蹶不振，她决定将孩子生下来，独自抚养长大。一晃眼十六年过去，卡捷琳娜凭借着智慧和努力成为了工厂厂长。某日，一位名叫果沙（阿勒克塞·巴塔洛夫 Aleksey Batalov 饰）让卡捷琳娜再度体会到了心动的感觉，谁知道，她的身份再一次成为了这段感情中的绊脚石。

　　倒霉的女人迪亚经历了未婚夫在婚礼的前一周出轨，导致迪亚情绪失控。她把大部分精力都投向了工作，但是却面临新对手的挑战。迪亚与同事产生了一段不清不楚的关系，但是两人都想要斩断情丝。

　　该剧改编自同名人气网漫，是一部令人心动的奇幻爱情剧。讲述对自己不幸的命运逆来顺的人类男子，和为了解开魔咒的女神，投身未知的世界从而展开的跨越残酷命运的故事。

　　Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.　　This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.　　COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."　　Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.

　　The Penguin Lessons is the true story of a disillusioned Englishman who went to work in a school in Argentina in 1976. Expecting an easy ride, he discovered instead a complicated and divided nation – and a class of practically unteachable young boys. When he finds a small penguin washed up on an oil-slicked beach, his life is turned upside down – and the penguin becomes not only a valued friend, but also a teacher of life’s most important lessons, for Tom, the boys and many others.

　　一个年轻的母亲Cora Tanner（Jessica Biel饰）在公众犯下一件令人吃惊的暴力行为，但无人知道她的动机。而一位流氓似的调查员对她的动机陷入执着，在他的调查过程，他与对方一同走进她的内心深处，在这悲惨的「旅程」将发掘出隐藏在她过去的暴力秘密。Bill Pullman饰演Harry Ambrose，是个感性﹑顽强的侦探，他发现自己着迷于Cora的案件中，幷且深信这案件有着被深藏在背后的真相，因此开始调查Cora的生活。

　　根据德国民间诗史《尼白龙根之歌》和北欧《沃尔松格传说》改编。　　铁匠齐格弗里德（班诺·福曼 Benno Fürmann 饰）在一次陨石坠落后与冰岛女王伯伦希尔（克里斯蒂娜·里奇 Christina Ricci 饰）不打不相识，并且陷入爱河。之后他杀死了作恶巨龙，并用龙血沐浴让自己刀 枪不入。可后背上一块树叶覆盖的地方没有沾到龙血成为了他的弱点。　　齐格弗里德因杀死巨龙而被国王赏识，要将自己的公主妹妹艾丽西亚·维特 Alicia Witt 饰）嫁给他，但格弗里德已心有所属。为了达到目的国王在酒中加了药使他忘记女王爱上了公主。国王请他帮忙冰岛女王伯伦希尔，于是他戴上变形头盔，装成过国王的样子打败了伯伦希尔。伯伦希尔被他的“背叛”伤透了心，被迫嫁给国王。各怀心事的两对新人在同一天结婚。齐格弗里德最终会想起女王吗？四人将对面如何的命运呢？

　　故事讲述未来世界遭遇严重污染，人口出生率骤降，美国部分地区经历血腥革命后建立了男性极权社会Gilead，当权者实行一夫多妻制，女性被当做国有财产，有生育能力的女性称为“女仆”，被迫作为统治阶级的生育工具，女主角Offred就是其中之一，她周旋于统治者、统治者凶残的“妻子”、为统治者打理家务的年长女人“Martha”之间，想在活下去的同时找到自己被夺走的女儿。

　　丹尼尔（文斯•沃恩Vince Vaughn 饰）一直以来都是一个在职场中默默无闻的小白领，虽然他拥有着不输于其他人的能力，但总是得不到上司的重用。长此以往，丹尼尔的心里越来越不平衡，最终，他提出了辞职，并且自立门户，成为了老东家的竞争对手。　　虽说丹尼尔如今翻身做了老板，但他的手下只有两名员工，他们是初出茅庐的麦克（戴夫•弗兰科Dave Franco 饰）和职场老江湖提摩西（汤姆•威尔金森Tom Wilkinson 饰）。为了报复前老板，丹尼尔带着两名员工前往欧洲，准备去和老东家争夺一宗大生意，能否成功做成这笔生意，关系到丹尼尔公司的存亡。好巧不巧，在目的地，丹尼尔和他从前的主管重逢了。

　　二战中德军节节败退，但战事的失利没能阻止德军在他们的法国殖民地的大屠杀，相反德军开始了更加疯狂的屠杀。巴黎的医生于连（菲利浦•诺瓦雷 Philippe Noiret 饰）由于感到城里日渐紧张的气氛，他怕家人遭遇不测，于是安排了他的妻子和孩子回乡下暂避风头。　　于连送了妻子回乡不觉已过一段时间，他决定回乡探望家人。孰料他回到乡下，看到的只剩斑斑血迹，残忍的德军对这条小村庄进行了屠杀。　　愤怒的于连在村里的老屋内找到了一杆老枪。于连决定向德军举起复仇之剑！

　　根据同名小说以及1963年的老版翻拍的新版。一个犹太男孩出现在了布痕瓦尔德集中营内，救或不救，杀或不杀，成为了两方面主要考虑的问题。裸露在狼群的不止是羔羊，还有人类的本性。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.