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青草影视

霹雳兵燹之刀戟戡魔录
台湾其它2005
  魔城浮现,兵燹肆虐,  生灵涂炭,奈何彼苍无语?  万般绝念之际,只盼萍山现云踪···  魔人、魔胎,吞佛童子与剑雪无名的对决,开启了魔界的封印,传说中的异度魔界,终於在苦境中打开了神秘的面纱,魔火肆虐,生灵涂炭,苦境群侠莫不受其威胁。中原领导素还真也在与慕少艾的比试中,依约前往岘匿迷谷,局势遽变。  当年参与圣战的三名高手,四雅杂诗郎,剑僧玄莲,醒恶者;也在魔威赫赫的情况下再出江湖,三人联手封印火焰之城的魔火之後,随即相助开启玄宗的封印,但此时,神无道、天荒道、赦生道同时开启,魔界之中三员先锋大将,带来了武林血祸,再起杀戮兵燹。  异度魔火肆虐武林,佛剑分说挺身而出,以佛门圣气抗衡火焰之城,冲天的烈焰魔火会带来何种危机?佛剑分说又能否一阻焚天魔火?  就在魔界攻势勇猛难当的同时,公孙月竟然误杀了忠烈王笏君卿,形成中原内部的纷争不停。就在万恶交分的同时,高峰之上,突然响起的二胡声,羽人非獍,手握传说的神刀天泣;而月光之下出现的白发剑者,迈步开阔踏出武林的生机。  第1集-霹雳兵燹之刀戟戡魔录  第2集-杀人者  第3集-羽人非獍  第4集-杀手挽歌  第5集-刀之劫  第6集-风云变色  第7集-愁落暗尘  第8集-三绝魔道  第9集-一线生机  第10集-鬼神之剑  第11集-魔祸  第12集-强占先机  第13集-料不到的刀  第14集-冷夜蝉翼  第15集-第三者  第16集-迸射的刀光  第17集-混沌  第18集-弦刀·玄刀  第19集-仙踪绝影  第20集-计藏计  第21集-生机渺茫  第22集-死亡讯息  第23集-变调  第24集-英雄劫·红颜泪  第25集-魔化天下  第26集-天之界限  第27集-初展神威  第28集-战火  第29集-杀天之狂  第30集-胜者为王

青草影视

冰刀
其它其它1972
  This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

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